Whitney is a Classical (soft nineteenth-century) Serif typeface revival designed by Ana Paula Hentges, Margarida Almeida, and Vitória Santos in 2022. The project had as its premise of developing a complete text typeface, from a printed copy before the 1980s. The chosen font was Windsor, launched in 1905 and created by Eleisha Pechey. Due to… Continue reading Whitney
Tag: 2022
ADAKZIA
Adakzia is a Sans Serif “Frakenfont” Grotesque typeface revival, designed by Alessio Morelli, João Aveiro, and Rui Costa in 2022. The entire project developed around the idea of creating something controversial, almost chaotic, and in line with a Dadaist idea (…) to create a single file that contained two sides of the same coin from… Continue reading ADAKZIA
Industria Neue
Industria Neue is Sans Serif Grotesque typeface revival, designed by Inês Venâncio, Raquel Clemente and Sara Guerra in 2022. See the full specimen booklet here.
Schron Poltawski
Schron Poltawski is based on a Glyphic (Old Style Geometric / Graphic or highly angled type of) typeface optimized for text and headlines, designed by Beatriz Fernandes, Joana Teixeira and Margarida Silva in 2022. This typeface was also presented during the 12th edition of the Typography Meeting. And was included in the respective book of… Continue reading Schron Poltawski
Communication Arts award for Loretta Type Familly
The Loretta typeface family, designed by Joana Correia and Abel Martins — a former award-winning student from the MDGPE master program—, now working with Joana Correia at Nova Type Foundry, was awarded a Communication Arts (CA) prize in the 2022 Typography competition. A heartfelt congratulations to both, and a special thank you for promoting the… Continue reading Communication Arts award for Loretta Type Familly