Suggia is a didone serif typeface for general use. Designed and implemented by Marta Saraiva, Francisca Barros, Helena Barradas, and Margarida Tavares, Suggia font is characterized by the vertical axis, the narrow serifs, drop endings, and its great contrast. Suggia owes its name and design as a tribute to the famous cellist from Porto, Guilhermina… Continue reading Suggia
Author: Pedro Amado
Pedro Amado. Assistant Professor at FBAUP. Integrated researcher of the i2ADS research institute.
Diamond Grotesk
Diamond Grotesk was a typeface designed by Mariana Braga, Marco Antunes, Beatriz Lima during the hybrid sessions of 2021. Heavily inspired by Akzidenz Grotesk, this typeface explores the aesthetic quality of the ink traps and diamond shapes (dots & cuts). (…) The aim of this project was to develop a font based on the existing… Continue reading Diamond Grotesk
FBAUP @ 11ET
The 11th edition of the Typography Meeting (@encontrodetipografia) took place at Caldas da Rainha, from November 25 to 27. The program included very expressive participation from the FBAUP’s students (mainly the MDGPE’s students) and a Ph.D. researcher. In total, we conducted two workshops, presented three papers, and exhibited four posters. As usual, the conference started… Continue reading FBAUP @ 11ET
Typographic Identities (Ph.D. presentation)
Today, Thursday, September 9 a UFSC/FBAUP Ph.D. examination will take place online, at 1:30 pm. This is a very interesting a relevant research to the Type Design course of the MDGPE master program mainly because the candidate —the researcher and soon to be professor Eduardo Napoleão— has not only actively participated in our type design… Continue reading Typographic Identities (Ph.D. presentation)
Euro
Wouldn’t it be great if a Type Designer worked at the European Union? Some thirty draft designs for a euro currency symbol were drawn up internally by the European Commission (…) Microsoft and other vendors have chosen to make glyphs for the symbol to be font and style specific (…) to make the euro symbol… Continue reading Euro
Nova Egmont
Nova Egmont is a modern serif font revival designed by Francisca Lopes, Miguel Moreira, and Pedro Correia in 2020, based on the original Egmont typeface designed Sjoerd Hendrik de Roos in 1930. The biggest challenge of this exercise was to perform a significant “customization” of the font without distorting the original reference. Initially, manual and… Continue reading Nova Egmont
GT Academy: Type Design Tutorials
The Grilli Type Foundry has been publishing a series of small bite-sized tutorials on type design: the GT Academy. Currently, it features 17 “issues” published ranging from drawing basics to advanced optical compensations. It starts in a slightly different approach from ours: with the letter “a”. But then, the method is almost the same. Starting… Continue reading GT Academy: Type Design Tutorials
Aferis
The Aferis variable font consists of a multi-weight serif typeface, whose name is a playful anagram from “Serif”. It presents an Experimental axis in defiance of the “Type for text” briefing. Designed by Ana Margarida Calçada, David Rocha and Miguel Machado in 2020. The first three masters in the weight axis are intended for small… Continue reading Aferis
Invisible shapes
Although this is not a work produced directly in this course, it was a master dissertation research by Carolina Ferreira that started and was supervised by the previous professor of this course, the Type Designer Dino dos Santos. And by my current colleague, professor Diniz Cayolla. As I’ve had the opportunity to do before, this… Continue reading Invisible shapes
Maenad
Maenad was one of the typeface projects developed during the 2020 semester. Designed and developed as a variable font by Ana Silva, Eva Halfers, and Teresa Zagalo. ”Maenad” is a revival serif transitional text typeface based on Windsor and Americana typefaces. The concept was bringing the display feeling of the Windsor within the Americana. So… Continue reading Maenad